

The director takes Luke into territory just about no one saw coming, making him a lone samurai full of heartache and regret more akin to heroes in Akira Kurosawa’s Yojimbo or Kagemusha than he is the dashing young champion of something like The Hidden Fortress. Unlike the last film, this one uses nostalgia and one’s knowledge of this universe against the viewer, ideas as to what can happen, who can and cannot survive and where things go from here as they head into the ninth and final chapter blown into smithereens like a fourth Death Star.Īll of which makes Johnson’s film the most challenging Star Wars motion picture ever made, and this includes Platoon meets The Dirty Dozen spinoff Rogue One: A Star Wars Story which has already significantly changed the game all on its own just last December. The eighth installment in the saga intimately connected to Luke Skywalker and his kin, picking up immediately after the events of 2015’s Star Wars: The Force Awakens came to an end, writer/director Rian Johnson’s ( Looper, Brick) entry goes out of its way to bust convention and expectation whenever and wherever it can. At the very least, the young woman hopes the Master Jedi will help her understand why she is so strong with the Force and that he will give her an insight into her abilities that might keep her from heading down the same path of darkness that is slowly destroying First Order firebrand, and Luke’s nephew, Kylo Ren ( Adam Driver).Īs we journey back into an intergalactic world begun by George Lucas in 1977, it’s best not to know too much about the basics walking into Star Wars: The Last Jedi.

She expects that the sight of his father’s old lightsaber, plus the appearance of the Millennium Falcon and old friends Chewbacca ( Peter Mayhew) and R2-D2 ( Jimmy Vee), will be enough to convince him to return and assist the Resistance in their time of need.

Meanwhile, Rey ( Daisy Ridley) has arrived at the ancient Jedi temple where Luke Skywalker ( Mark Hamill) has been hiding for the past thirty years.
